Palimpsest

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    aerial photograph of Rome with building inserted in site
    Aerial view of Site
    Jing Liao / Tianyi Huang
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    Exploded axonometric of gallery.
    Exploded axonometric of gallery
    Tianyi Huang / Jing Liao
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    Sections of the building and site.
    Site sections
    Tianyi Huang / Jing Liao
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    Section through gallery space.
    Section through gallery space
    Tianyi Huang / Jing Liao
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    Exterior collage view of the gallery.
    Exterior collage view of the gallery
    Tianyi Huang / Jing Liao
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    Interior collage view of bust gallery.
    Interior collage view of bust gallery
    Tianyi Huang / Jing Liao
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    Interior collage view of gallery space.
    Interior collage view of gallery space
    Tianyi Huang / Jing Liao
Author(s)
Tianyi Huang
Jing Liao
Project Date

Rome faces a dilemma - a dilemma where tourist economy and local residency stands at scathing confrontation. Museums and their design also face a dilemma - a dilemma where architecture must contort between the specific and the generic at the artifact level while clumsily occupying a questionable zone between private and public space at the urban level. A traditional archaeological museum for the “Eternal City” is now incongruous in a contemporary context fraught with such opposing forces. Rather than steering these opposites away in avoidance, this project guides them towards a purposeful collision. This new “anti-museum” captures these contradictions and enlarges them to the degree that such confrontations exist in discordant harmony, where no element is alienated. If the city is an urban palimpsest - its form continually altered while bearing traces of earlier incarnations - it is in celebrating this complex and layered process of metamorphosis that the project draws its design ethos.